Church

Church
It has stood at 83 Essex Street Guelph since its base stones were set in late June 1880. Its cornerstone was set on September 17 1880 as recorded in the Guelph Mercury and Advertiser. The contents of the cornerstone were described in that article, "Copy of the Holy Scriptures, Hymn Book of the BME Church, copy of the Missionary Messenger - the organ of the church; and copies of the Mercury and Herald." Presumably, the contents had already been placed inside a tin box, hermetically sealed and then painted over before being placed in a carved-out section of the cornerstone, then covered with sand and mortared under the stone above it. The Mercury report noted that the structure was already twelve feet high, with half the basement four feet in the ground and the other four feet above it. The base stones of the church could well be mortared directly onto the same ridge of limestone that extends across the road to where the ground drops behind the southside homes and into a remnant of the quarry from which many of the nearby stone houses had also come. The Guelph BME was, by the 1880's, one of the last stone structures erected in the neighbourhood. The quarry had been owned by the man who had been awarded the contract to raise the church, William Slater, listed in the 1881 city directory as a stone cutter.

Friday, December 19, 2025

Snow Falling On Moir

Snow falling soft on Moir,

Geddes plow ridges

banked with corner drift

sculpting slopes of earlier peaks

draped with whiteout swirls,

dust devil kin ranging foothills of frozen slush

backdropped by red brick walls

yellow filigrees of Victorian gables

sidewalk valleys unseen until scaled

flurry veils of white ghostings

chased around street corners


driven by wind gust, spiral curls

through boot-stomped open gaps

rise between hardened older snow

surveyed by us inside our coats and scarves;

fake fur hats and woolen toques pulled snug

before descending the crested embankments.


The snow still falling soft on Moir

barrier cliffs of ploughed up heights

scaled in felt-warmed boot steps

swirling corners coriolis

cresting drifts in slipstreams

sculpting curves as we climb

stomping steps into being:

a mittened hand in the other’s;

eyes on dangers beyond us

bootprint holes shared on the downside

made by those this way before us,

turned into hardened steps

and left for those who follow


Our eyes are ahead in the valley of drift

side peaks of snow ploughed, driving-cold wind

discovers ways inside us, hat scarved-ears

snugged down, huddled in, bent into the swirl

using each other to not slip on underfoot ice

in frozen imprints created by others:

variable strides alter ours as we

crush down soft places between

establishing a flattened path for others.

Snow is falling soft on Moir

once we return to it from around the block.


Joined the League of Canadian Poets

... a few months back, having qualified via my works published by others

and by my own self-published works. Moving to Stratford ON in a month, since life in Elora is too much like being a retired serf in a town now run by oligarchs who showed up during COVID intent on buying up all the downtown property as their private fiefdom, nothing here for my gal and I beyond the Elora Poetry Centre which is itself winding down via the olding ages of its founders.

Morvern and I hope to become involved in the poetry scene there, and my early years on Toronto's alternate theatre from which I wandered into dance and out of the city once married into rural journalism the writing and self-publishing of six history books, while making a living as a cook and then a stone worker, never harmed the process of writing poetry.

When we moved to Kingston ON during Covid we became part of Bruce Kaufman's poetry community and we both loved being part of his world, a gentle giant, and a consummate poet and the 'dean' of Queen's Radio poetry.

He is is to Kingston what Jeremy Luke Hill and Vocamus Press are to Guelph and Wellington County. Noble souls who serve others. Morvern and I have been exception fortunate in those two connections.

The Playwright in me however, intends on making a last stand in a town with actors and dancers and practitioners of all the theatre arts. 

Having entered into league with Canada's oldest poetry circles, and slowly learning my way around all the minefield issues of aging poets and rapidly changing performance venues and modes, I am angling for a role as a wise man this Christmas, having healed the damaged child within, and survived the passionate intensities of the young man's opinion's and impulses, and with 23 years of life with the same woman, and her son and mine now in their thirties, gave up drink  nine years ago, and pot a year and a half ago, the fine balance of my mind and soul have been restored, I think I may have finally matured, and am ready to see what becomes of me.

I intend on aging out well. 





Monday, June 23, 2025

CBC Interview from the first book Laying the Bed: The Native Origins of the Underground Railroad

 New findings on the Underground Railroad | CBC.ca

The work here is largely based on my research in my books

 First BME reverend well-rooted in the struggle against slavery - Guelph News

I started out on the Steering Committee as the historian because of my other local history work, I also led the stone work renovation

Blood in the Mortar – The British Methodist Episcopal Church of Guelph, Ontario: faith, family, community and continuity.

by Jerry Prager with information from the Waterloo Region Record

Black migrants had come to Guelph since the 1840s. Many were formerly enslaved individuals from the American south who had reached Canada via the Underground Railroad. They brought with them their allegiance to the African Methodist Episcopal Church. In 1856, the Church separated from this American organization and formed the British Methodist Episcopal Church. Perhaps this move was made to better express their allegiance to Britain, which had abolished slavery in 1833.

The Essex Street neighbourhood had been established by English Methodists and was largely a working class area, anchored on the east by the Market Square and on the west by the Guelph Brewery and adjoining tannery. Many of the residents of Essex Street worked in these industries as labourers and tradesmen.

By 1869, the community was large enough to seek a church of its own. On January 18 of that year, the Guelph Mercury records that “the Trustees of the Methodist (coloured) Episcopal Church of our Town have made arrangements for the purchase of a town lot whereon to erect a suitable place of worship” with the intention of appealing for public assistance with funding. Rev. G.R. Blount duly began fundraising and a frame church, “Bethel,” was erected the following year in 1870. The Guelph Directory for 1873 notes that the “Coloured Methodist” church stood on Market Street (now Waterloo Avenue) but was entered from Essex Street.

The stone BME Church building has stood at 83 Essex Street since its base stones were first set in late June 1880. Its cornerstone was set on September 18, 1880, as recorded in the Guelph Mercury and Advertiser. The contents of the cornerstone were described in the same article, “Copy of the Holy Scriptures, Hymn Book of the BME Church, copy of the Missionary Messenger, the organ of the church, and copies of the Mercury and Herald.”

In 1783, after the American Revolution, formerly enslaved individuals accompanied their Loyalist masters into Nova Scotia and other British colonies north of the border, some travelling to Upper Canada (Ontario.) There had been slavery in UC as early as the French regime, as there were known enslaved people in the Windsor area in the mid 1700′s.

In 1793, Lt. Governor John Graves Simcoe, an Anglican, regarded slavery as anti-Christian, and so he ensured the passage of “An Act to prevent the further introduction of Slaves and to limit the term of contracts for servitude within this Province.” It was the first anti-slavery legislation in the Empire, and while it met with resistance from local owners of enslaved people, it abolished the lifelong enslavement of the children of slaves, and prevented further enslaved individuals from being brought into the colony.

Once news of Simcoe’s legislation reached slave states in the US, Upper Canada became the destination for many escapees, often with the help of natives on highland trails. It was upon those trails that the Underground Railroad was created in the late 1820′s.

The fugitive enslaved Railroad was originally a loose knit coalition of anti-slavers, most of whom were Hicksite Quakers, who began to aid and abet the movement of escaped slaves into non-slave states and Upper Canada. Once those slaves got beyond the reach of American law, they created communities in border towns like Windsor and Niagara, while others moved inland towards towns like Chatham and the Queen’s Bush settlement on a tributary of the Grand River.

Guelph was established as a village in 1827 and most former fugitives who came through or stayed in the town came north from Lake Ontario and the Niagara River crossings.

Between 1793 and 1865, tens of thousands of African-American enslaved people entered Canada via the network of natives and white anti-slavery activists. President Lincoln ended the slave economy through an executive order known as the Emancipation Proclamation, which took effect on January 1, 1863, although slavery was not formally abolished in the United States, until December 1865, when the 13th Amendment became law after the defeat of the South.

Guelph’s place in all that activity was at first no more than a stopping place for most on their way to the Queen’s Bush in north Wellington and Waterloo counties, the largest settlement of escaped formerly enslaved people in the colony. By the 1850′s that settlement was disbanded, and many of the families and individuals dispersed to various communities, some to Guelph, north to Owen Sound and Collingwood or west to Chatham and myriad other paces throughout the province.

Although Black benevolent societies and fraternal organizations were significant players in helping formerly enslaved people in Canada adjust to freedom and the climate of the north, they had a great many allies including Quakers, Native Americans, Methodists, Presbyterians, Congregationalists, Baptists and Anglicans. Other allies included Anti-Slavery societies, of which George Brown’s Toronto newspaper, the Globe was a staunch supporter. There were a number of reformers in the Guelph area who almost played local roles.

As for the BME church in Guelph, it was created after the Civil War in 1870, but starting in the 1860′s and leading up to the time that the BME was built in the 1880′s, the neighbourhood of Essex-Nottingham had first become home to Guelph’s English Methodist who named the streets, and then to Black settlers who found the community welcoming. Some of the Black individuals had Caribbean or Loyalist origins, but more were from Queen’s Bush families. In the 1881 census of the province, two thirds of the 107 Guelphites of African-American origins lived in the neighbourhood.

The story of Guelph’s Black community and its place in the larger picture of the Underground Railroad in southwestern Ontario can best be told through the families who settled here, the Bollens, Crawfords, Duncans, Groats, Harrisons, Hissons, Jewells, Johnstons, Kellys, Kelsos, Lawsons, Mallotts, Millers, Pannells, Raybers, Sticklands and Waldons among other names more difficult to trace.

The building at 83 Essex Street ceased to operate as a BME church for more than 20 years from the 1970′s to 1994. In 1994 a congregation was reformed under a minister from the Caribbean. The minister and her congregation left the BME Church in 2009. The building was purchased by the Guelph Black Heritage Society in 2011 and is now known as “Heritage Hall”.

Some of my work mentioned here, but beyond me are always others, before and after

 The Black Past in Guelph: Remembered and Reclaimed – Untold Stories of Black Life, Culture, and Community in Guelph and Beyond

restoring some of the content of the blog before I shut it down

 Local author releases "Laying the Bed", first of four-volume set


Note: It was only a three book series

cover for Laying the Bed

cover for Laying the Bed
designed by Brenan Pangborn