Church

Church
It has stood at 83 Essex Street Guelph since its base stones were set in late June 1880. Its cornerstone was set on September 17 1880 as recorded in the Guelph Mercury and Advertiser. The contents of the cornerstone were described in that article, "Copy of the Holy Scriptures, Hymn Book of the BME Church, copy of the Missionary Messenger - the organ of the church; and copies of the Mercury and Herald." Presumably, the contents had already been placed inside a tin box, hermetically sealed and then painted over before being placed in a carved-out section of the cornerstone, then covered with sand and mortared under the stone above it. The Mercury report noted that the structure was already twelve feet high, with half the basement four feet in the ground and the other four feet above it. The base stones of the church could well be mortared directly onto the same ridge of limestone that extends across the road to where the ground drops behind the southside homes and into a remnant of the quarry from which many of the nearby stone houses had also come. The Guelph BME was, by the 1880's, one of the last stone structures erected in the neighbourhood. The quarry had been owned by the man who had been awarded the contract to raise the church, William Slater, listed in the 1881 city directory as a stone cutter.

Friday, December 19, 2025

Snow Falling On Moir

Snow falling soft on Moir,

Geddes plow ridges

banked with corner drift

sculpting slopes of earlier peaks

draped with whiteout swirls,

dust devil kin ranging foothills of frozen slush

backdropped by red brick walls

yellow filigrees of Victorian gables

sidewalk valleys unseen until scaled

flurry veils of white ghostings

chased around street corners


driven by wind gust, spiral curls

through boot-stomped open gaps

rise between hardened older snow

surveyed by us inside our coats and scarves;

fake fur hats and woolen toques pulled snug

before descending the crested embankments.


The snow still falling soft on Moir

barrier cliffs of ploughed up heights

scaled in felt-warmed boot steps

swirling corners coriolis

cresting drifts in slipstreams

sculpting curves as we climb

stomping steps into being:

a mittened hand in the other’s;

eyes on dangers beyond us

bootprint holes shared on the downside

made by those this way before us,

turned into hardened steps

and left for those who follow


Our eyes are ahead in the valley of drift

side peaks of snow ploughed, driving-cold wind

discovers ways inside us, hat scarved-ears

snugged down, huddled in, bent into the swirl

using each other to not slip on underfoot ice

in frozen imprints created by others:

variable strides alter ours as we

crush down soft places between

establishing a flattened path for others.

Snow is falling soft on Moir

once we return to it from around the block.


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cover for Laying the Bed

cover for Laying the Bed
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